Kiran Bhat Photography

I finally finished processing all the film shots from my shoot with MJ. All pictures are shot with Aero Ektar + Speed Graphic combo. First two are shot on Arista EDU 100 and the rest are on Ilford Delta 100. Arista is nice and cheap but the emulsion is not so good. When zoomed in at 100% the scans have spots. Ilford on the other hand is simply amazing.  All the negatives are self developed and scanned using Epson V700. I'm happy with the overall results and love the bokeh. PS:Blogspot is adding some type of tint to all the pictures uploaded for some reason. None of the pictures have the coffee tint.

Velvia is special for me. Of all the color slides I have shot with, the result Velvia produces amazes me everytime. In Velvia blues, reds and greens especially stand out. It can be a little too contrasty for portraits but for landscapes it is perfect. The results are very consistent even with the home development of E-6 using rapid kits. I develop all my E-6s with using my Jobo CPE-2 either with Tetenal or Arista rapid kits (pictured below). I'll post a detailed development process soon. I don't print from my slides so I just scan them with Epson V700 and digitize. Although scanning doesn't do justice to the richness of the slides but it is acceptable, given my small investment in equipments. I feel every film photographer should experience Velvia goodness at least once!   Velvia development in progress using Jobo CPE-2 Sinar F 4x5, Horseman 6x12, Velvia 50 Mamiya RZ67 ProII, Velvia 50 Hasselblad 500C, Velvia 50 Mamiya RZ67 ProII, Velvia 50 Calumet 4x5

Some of my recent black and white landsacpes. I certainly have shot more black and white pictures than color. First two are shot using my Hasselblad 500C and other two are digital pictures shot using Olympus E-3. Delhi Metropark, Dexter Michigan - Hasselblad 500C, Carl-Zeiss 80 f/2.8, ND3 Little Sable Light House - Hasselblad 500C, Carl Zeiss 80 2.8, B+W ND110 Blue Hen Falls, Ohio - Olympus E-3, B+W ND110

Kodak Aero Ektar 178mm f/2.5 was a world war 2 era lens adopted to work with Graflex Speed Graphic 4x5 Camera with a focal plane shutter. I have seen this lens being used with Sinar Shutter & other third party shutters with other 4x5 cameras. Although I own a Sinar shutter, I like shooting this with Speed Graphic because it makes a beautiful, portable pair. The lens needs to be adopted to work with Speeds, the main component of this process is getting the lensboard to fit. Jo Lommen  makes lensboards to fit a couple of Speed versions, which is I what I use my Aero Ektar with. This combination when shot wide open is a bokeh machine. It creates such a dreamy look, it makes the pictures look 3 dimensional almost. Hopefully I get use this combo more in my photography.

I am not a big 35mm fan but Kodachrome was something else (I only could my hands on 135 format).It was an excellent film to use Hexanon 57mm f/1.2 + Konica T3 combo. These days I mostly shoot and develop E-6 slides. RIP Kodachrome.

I absolutely love shooting large format cameras. The process of shooting one takes me to the basics of photography. No auto exposure, no metering, no auto focus..nothing. Actually it's just a black box with the lens on one end and film on the other. The view that appears on the ground glass is inverted. As a photographer one is forced to think and make all the decisions involved in the picture making process. So at the end of it you feel like, you are in charge (which is great for control freaks like me!). Because I process all the film that I shoot on my own, I have complete control over the creative process from shooting to development to scan/print stage. This gives a lot of flexibility and room for experimentation. Personally for me one major factor that sets the large format cameras apart from others is the camera movements. The front and rear standards of the camera allow shift, tilt, swing, rise and fall (Hopefully I can blog about camera movements in future). The large neg

When most people transitioned from film to digital, I returned to shooting film. Like most photographers I started photography with film and was comfortable with 35mm photography. I did get a digital camera when those became affordable and eventually landed in dSLR land. After shooting digital for a few years, I was beginning to get the feeling that I was burning out with my photography. I wanted to do something different, away from pixel world. I got an excellent deal on a medium format camera and bought it. It was a Mamiya RZ67 ProII (pictured below). I loved the big negatives the medium format camera produces. It was a world of a difference from my 35mm days. After looking at some 6x7 slides, I was convinced that film photography is what I need to pursue again mainly in bigger formats. Since then I have acquired several cameras... Hasselblad, Rolleiflex, Sinar F2, Speed Graphic 4x5 and even a Holga.