Kiran Bhat Photography

Check me out on social media  Instagram  and  Facebook  !  This was a shoot I did a while ago. I shot both digital and large format film. Digital cameras provide flexibility to shoot from different angle and without a tripod. Large format camera does much better in terms of bokeh and separating the subject from the background. I love shooting environmental portraits compared to studio portraits. The environment adds an extra dimension and makes the images much more dynamic and narrates a visual story!   I'm making more of these blog posts as I'm migrating photos from flickr to my blog and Facebook. I never had to group my work by projects before on flickr. This gives me an opportunity to combine work as they were shot and create a timeline of sorts of all my projects! Stay tuned!  Olympus E-3 + 7-14mm Speed Graphic + Kodak Aero Ektar 178 f/2.5 Olympus E-3 + 7-14mm Speed Graphic + Kodak Aero Ektar 178 f/2.5

I finally processed some color and BW negatives from last year and scanned these.  The discharge tube for my Jobo was broken and I couldn't process any film for six months. To make matters worse, the tube had an odd inner diameter but fortunately I had an opportunity to travel to Germany and picked up a compatible tube from a hardware store there! Problem solved! The black and white pictures are shot on Arista EDU 100 and the color on Kodak Ektar 100.

I finally finished processing all the film shots from my shoot with MJ. All pictures are shot with Aero Ektar + Speed Graphic combo. First two are shot on Arista EDU 100 and the rest are on Ilford Delta 100. Arista is nice and cheap but the emulsion is not so good. When zoomed in at 100% the scans have spots. Ilford on the other hand is simply amazing.  All the negatives are self developed and scanned using Epson V700. I'm happy with the overall results and love the bokeh. PS:Blogspot is adding some type of tint to all the pictures uploaded for some reason. None of the pictures have the coffee tint.

Velvia is special for me. Of all the color slides I have shot with, the result Velvia produces amazes me everytime. In Velvia blues, reds and greens especially stand out. It can be a little too contrasty for portraits but for landscapes it is perfect. The results are very consistent even with the home development of E-6 using rapid kits. I develop all my E-6s with using my Jobo CPE-2 either with Tetenal or Arista rapid kits (pictured below). I'll post a detailed development process soon. I don't print from my slides so I just scan them with Epson V700 and digitize. Although scanning doesn't do justice to the richness of the slides but it is acceptable, given my small investment in equipments. I feel every film photographer should experience Velvia goodness at least once!   Velvia development in progress using Jobo CPE-2 Sinar F 4x5, Horseman 6x12, Velvia 50 Mamiya RZ67 ProII, Velvia 50 Hasselblad 500C, Velvia 50 Mamiya RZ67 ProII, Velvia 50 Calumet 4x5

Some of my recent black and white landsacpes. I certainly have shot more black and white pictures than color. First two are shot using my Hasselblad 500C and other two are digital pictures shot using Olympus E-3. Delhi Metropark, Dexter Michigan - Hasselblad 500C, Carl-Zeiss 80 f/2.8, ND3 Little Sable Light House - Hasselblad 500C, Carl Zeiss 80 2.8, B+W ND110 Blue Hen Falls, Ohio - Olympus E-3, B+W ND110

I am not a big 35mm fan but Kodachrome was something else (I only could my hands on 135 format).It was an excellent film to use Hexanon 57mm f/1.2 + Konica T3 combo. These days I mostly shoot and develop E-6 slides. RIP Kodachrome.

I absolutely love shooting large format cameras. The process of shooting one takes me to the basics of photography. No auto exposure, no metering, no auto focus..nothing. Actually it's just a black box with the lens on one end and film on the other. The view that appears on the ground glass is inverted. As a photographer one is forced to think and make all the decisions involved in the picture making process. So at the end of it you feel like, you are in charge (which is great for control freaks like me!). Because I process all the film that I shoot on my own, I have complete control over the creative process from shooting to development to scan/print stage. This gives a lot of flexibility and room for experimentation. Personally for me one major factor that sets the large format cameras apart from others is the camera movements. The front and rear standards of the camera allow shift, tilt, swing, rise and fall (Hopefully I can blog about camera movements in future). The large neg

When most people transitioned from film to digital, I returned to shooting film. Like most photographers I started photography with film and was comfortable with 35mm photography. I did get a digital camera when those became affordable and eventually landed in dSLR land. After shooting digital for a few years, I was beginning to get the feeling that I was burning out with my photography. I wanted to do something different, away from pixel world. I got an excellent deal on a medium format camera and bought it. It was a Mamiya RZ67 ProII (pictured below). I loved the big negatives the medium format camera produces. It was a world of a difference from my 35mm days. After looking at some 6x7 slides, I was convinced that film photography is what I need to pursue again mainly in bigger formats. Since then I have acquired several cameras... Hasselblad, Rolleiflex, Sinar F2, Speed Graphic 4x5 and even a Holga.

Okay so my blog was mostly dead. I was cleaning up my bookmarks in Safari, found the old link to the blog and thought I'd try to revive it. I don't know how frequently can I blog but sure will make an attempt to update it. It was weird reading what had written four years ago and compare it with my current photography philosophy.  Certainly a lot of things have changed, I got back to film and have been mostly shooting medium and large formats. I will add more posts about those. Also in general I have figured what I like shooting and what makes me happy in photography. So watch for it!